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Normalize FLAC Loudness

Free Online FLAC Loudness Normalizer

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How to Normalize the Loudness of FLAC

1 Upload the FLAC audio files you want brought to a consistent level — a whole set at once is exactly the case this is for.
2 Pick a target: about -14 LUFS for streaming platforms, -16 LUFS for podcasts, -23 LUFS for broadcast.
3 Run the analysis; integrated loudness and true peak are measured before any gain is decided on.
4 Download the normalized FLAC file, with the dynamics inside each track left untouched.

Normalize FLAC Loudness FAQ

What is the difference between this and just turning it up?
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A volume change applies a number you chose. Normalisation measures how loud the file actually is and computes the gain needed to hit a target, so ten files recorded at ten different levels all arrive at the same one.
It does. FLAC is lossless compression — bit-identical to the source on decode, at about half the size of WAV. That determines whether the corrected audio can be written back exactly or has to be re-encoded.
About -14 LUFS is what the major streaming platforms normalise to, -16 LUFS is the usual podcast target, and -23 LUFS is the broadcast standard. Going louder than the platform target gains you nothing — the platform simply turns it back down.
No. It is a single gain adjustment for the whole file, so the relationship between the quiet and loud parts is untouched. Compression and limiting are separate operations and are not applied here.
No. Lossless audio is edited sample-exactly, so what comes back decodes bit-identically to what you would get doing the same edit in a desktop editor. You can repeat the cycle as many times as you like without accumulating any loss at all.
Yes, unless you change them deliberately. A 24-bit/96 kHz source stays 24-bit/96 kHz — nothing is silently downsampled to 16/44.1, which is the failure mode that makes a master unusable.
No. Normalize FLAC Loudness is free with no account required, and nothing is added to the audio. Uploads are deleted from the workers shortly after the job finishes.
WAV, FLAC and AIFF, at any bit depth and sample rate up to and including 24-bit/192 kHz. Lossy files work in the same batch if you are mixing sources.
PDF.to exists because PDF is where documents go to be shared and the worst place to keep them while they are still being worked on, so nearly every job here is about getting something into or out of that state deliberately. A document rarely arrives in the state it needs to leave in: it is too big, in the wrong order, locked, or a scan with no text in it. Normalize FLAC Loudness sits on the same upload and the same account as the conversions because those jobs turn up together.
The converter on this site moves documents between PDF, Word, images, plain text and eBook formats in either direction, so whatever comes out of a tool here has somewhere to go next without a second upload. Running that after Normalize FLAC Loudness rather than before keeps the document structure intact through the step that is most likely to flatten it.
The engines are shared — the same document toolchain, the same workers, the same limits. What a PDF site adds is a view on when a file should stay a document and when it genuinely wants to become something else, which is the decision most tools quietly make for you. It also starts from one fact about the format this site is named after: a PDF is an object graph, not a page image, so text stays selectable and vectors stay sharp no matter what happens to the raster content inside it.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is read and nothing is indexed. Free accounts exist for history and batch size, not for access.

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