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Audio Cutter

Free Online Audio Cutter and Trimmer

Select your files

*Files deleted after 24 hours

Specify the start and end time for the portion you want to keep.

Format: HH:MM:SS (e.g., 00:01:30 for 1 minute 30 seconds)

Convert up to 1 GB files free, Pro users can convert up to 100 GB files; Sign up now

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How to Cut and Trim Audio

1 Upload the audio files you want to cut.
2 Drag the start and end handles on the waveform or the timeline, or type exact timecodes if you already know them.
3 Preview the selection and run the cut — the part you keep is copied through untouched wherever the format allows it.
4 Download the trimmed Audio file.

Audio Cutter FAQ

How precisely can I place the start and end points?
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You can type exact timecodes rather than only dragging, and the preview scrubs to the position as you move it. How exact the result can be depends on the format: some allow a cut anywhere, others snap to the nearest frame or keyframe.
It does. this format is read and written by the same streaming pipeline as everything else we support. That is precisely what decides whether a cut can be placed arbitrarily or has to land on a structural boundary.
Yes — cut the piece before it and the piece after it, then merge the two results. That is deliberately two steps because it keeps both halves on the fast, lossless path instead of forcing a full re-encode.
Not if the format allows a stream copy — the data you keep is bit-identical to the source and the job finishes in about the time the upload took. Only a frame-exact cut on a format that cannot do it cheaply needs a re-encode.
It depends on the source. Lossless input (WAV, FLAC, AIFF) is edited sample-exactly and loses nothing. Lossy input has already discarded detail once, so where the job can be done by copying the encoded stream rather than re-encoding it, that is the path taken.
Yes — ID3, Vorbis comments and MP4 atoms are carried across along with embedded artwork, so processed files still sort correctly in a music library.
No. Audio Cutter is free with no account, and nothing is added to the audio. Uploads are deleted from the workers shortly after the job completes.
MP3, WAV, AAC, M4A, FLAC, OGG, Opus, WMA and AIFF. Codecs are detected from the stream rather than the extension, so a mislabelled file still works and a mixed batch is handled per file.
PDF.to exists because PDF is where documents go to be shared and the worst place to keep them while they are still being worked on, so nearly every job here is about getting something into or out of that state deliberately. A document rarely arrives in the state it needs to leave in: it is too big, in the wrong order, locked, or a scan with no text in it. Audio Cutter sits on the same upload and the same account as the conversions because those jobs turn up together.
The converter on this site moves documents between PDF, Word, images, plain text and eBook formats in either direction, so whatever comes out of a tool here has somewhere to go next without a second upload. Running that after Audio Cutter rather than before keeps the document structure intact through the step that is most likely to flatten it.
The engines are shared — the same document toolchain, the same workers, the same limits. What a PDF site adds is a view on when a file should stay a document and when it genuinely wants to become something else, which is the decision most tools quietly make for you. It also starts from one fact about the format this site is named after: a PDF is an object graph, not a page image, so text stays selectable and vectors stay sharp no matter what happens to the raster content inside it.
No account, and nothing is kept: uploads are deleted from the workers shortly after the job finishes, nothing is read and nothing is indexed. Free accounts exist for history and batch size, not for access.

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